When the magazine “Toute la Culture” takes stock of the last Nuit Blanche in Paris, marked by the Covid19 pandemic and talks about its 3 favourites propositions including “CANON”

Despite an edition marked by the pandemic and the closure before midnight of large numbers of museums, institutions and associated sites, SUZANNE has succeeded in showing to the parisian audience an unprecedented creation combining monumental installation, live video projection, minimalist movements and polyphonic singing. “CANON“, presented in la Cour d’Honneur of the Musée des Archives Nationales during the Nuit Blanche, attracted the attention of the magazine “Toute La Culture” and came out in the heart of Eliaz Ait Seddick. 

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SUZANNE, « CANON » © SUZANNE, Courtesy Suzanne
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MANIFESTO.XXI to meet the four artistic directors of SUZANNE, Mélina Ferné and Matias Énaut, during the last edition of JERK OFF festival.

On the occasion of the 13th edition of festival JERK OFF at Point Ephémère, Samuel Belfond and Anne-Charlotte Michaut from MANIFESTO.XXI came to meet SUZANNE on September 10th at the end of “MERCURES‘s” dress rehearsal. They exchanged around the notion of “error” in choreographic creation and how it interferes as a common thread in the development of a new language that SUZANNE tries to introduce to a triptych which includes “STATU” (2018), “MERCURES” (2019) and “CANON” (2020).

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SUZANNE, « MERCURES » © Ayka Lux, Courtesy Suzanne
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